Ethan Price is a visual artist carefully orchestrating pigment and dust to transcribe a world occupied by haunting figures pulled from half-remembered dreams and dim memories; cataloging decay, phantasms, and the passage of time.
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Our memories are decaying synaptic snapshots — unreliable narrators of our past. They’re fragile things, susceptible to influence from others, misshapen from our biases, and prey to time’s tendency to distort and refract them.
Floral motifs often appear in my work but have never been the sole subject matter. “The Killing Jar” explores their inherent symbolism in a still-life context, specifically their use as a motif in vanitas paintings.